See the assignment attached See attached sources International Film Comparison Paper Watch Rainer Werner Fassbinder’s Ali: Fear Eats

See the assignment attached

See attached sources

International Film Comparison Paper

Watch Rainer Werner Fassbinder’s
Ali: Fear Eats His Soul, his 1974 film about the romance between a middle-aged German woman and a Turkish worker. Then you may choose from
ONE (1) of the three other films below. After watching
Ali: Fear Eats His Soul and the film of your choice, use the knowledge you have learned thus far in class to compare and contrast the two films. Use IMDB or Wikipedia to read synopses.

FILMS

REQUIRED:

·


Ali: Fear Eats His Soul

(1953, Germany)
, directed by Rainer Werner Fassbinder (REQUIRED).

Then choose
ONE of the following:

·


The Exterminating Angel


(1962), directed by Luis Buñuel (Mexico)

·


Black Girl


(1966), directed by Ousmane Sembene (Senegal)

·


In the Mood for Love


(2000), directed by Wong Kar-Wai (Hong Kong)

INSTRUCTIONS

· You will need to compare and contrast several elements of the films, developing a multi-perspective analysis of local, global, international, and communication issues throughout the films.

· It will be up to you to come up with an argument that encompasses both films.

· Use what you learned from your notes and my PowerPoints. Research the background of the director. If you have time to watch another of his or her films, I encourage you.

· You will then write a 5-6 double-spaced page paper IN APA STYLE that analyzes and exposes what you learned from the course about the given films.

As your paper will analyze films directed/written by people from different countries, it is crucial to dissect how these filmmakers approach the elements of filmmaking to tell a narrative. Choose

THREE
elements from the list below.

· Cinematography

· Editing

· Acting

· Sound design

· Story

· Visual design

· Genre

Make sure you explain each component you choose in detail and defend your arguments with sources!

Be sure to
write your paper in APA format citing the text when necessary. Include an abstract, introduction, body paragraphs, conclusion and reference page. The paper will be submitted to the Turnitin Dropbox on Canvas.

ACCESS

All films available on Criterion Channel and other streaming services. Several public libraries and our FIU library have these films available for checkout on DVD or Blu-ray.

FORMAT

Your paper is to be written in an

APA-Style format
. This includes the following:

· 12-point font

· Times New Roman font

· Double-spaced

· 1-inch margins

· cover page

· reference page

· in-text citations

For more detailed instructions and information on how to write an APA-style paper, please visit


. There is an extensive databank on how to incorporate in-text citations, and properly format your references.

ADVICE

I will deduct points for poor grammar, informality of expression, and failure to comply with APA style. If you don’t have a manual, see below.

Don’t be informal. You’re writing a paper, not a discussion. Don’t offer opinions that sound like social media posts. Writing, “
Weekend had incredible performances!” will get you points knocked off.

Use topic sentences. These are the first sentences of your paragraphs, the organizing ideas. For example: “Thanks to its use of deep focus and Walter Murch’s sound design,
Apocalypse Now recreates the experience of barely surviving a war in Southeast Asia.”

You must cite any relevant secondary sources. If you have seen movies to which you can compare
Ali: Fear Eats His Soul and the other film of your choice, also cite them. Your paper will be richer if it demonstrates a familiarity with film as a cross-generational conversation.

Some helpful questions:

1. What genre is my film?

2. What uses of tilts and pans as well as close, medium, and long shot do the director and cinematographer (DP) use to tell their story? Any examples of deep focus?

3. If the film uses Foley, match, or jump cuts, how?

4. What mode of reality is my film in?

5. Are there uses of matte drawings, miniatures, or green screens?

6. How does the composer use music diegetically and non-diegetically? If the film uses ambient sound, how?

Share This Post

Email
WhatsApp
Facebook
Twitter
LinkedIn
Pinterest
Reddit

Order a Similar Paper and get 15% Discount on your First Order

Related Questions

Chapter 3 Roman Terms from textbook

Chapter 3 Roman Terms from textbook Additional Roman Architectural Terms Roman Furnishings/Motifs Barrel vault Tuscan Order Tables Pediment Composite Order Stools Coffers Roman Aqueduct Cabinets Rotunda Roman Arch Carved stone throne Oculus Voussoir Bed/couch Tepidarium Keystone Wicker chair Caldarium Arcade Motifs: Frigidaium Thrust Human figure Palaestra Groin Vault Acanthus Atrium

   During the semester, visit the Oklahoma City Museum of Art, www.okcmoa.com. Focus on the permanent collection for this worksheet.PLEASE VIEW THE

   During the semester, visit the Oklahoma City Museum of Art, www.okcmoa.com. Focus on the permanent collection for this worksheet.PLEASE VIEW THE ONLINE COLLECTIONS. Part I:Fill out each section. Under “Appearance” indicate if the piece is representational, abstract, or nonrepresentational and why you think so. Under “Your Impressions” describe the

   If you are looking to pay someone to  

   If you are looking to pay someone to  <a href=” my online class</a> ? If yes, then it can be possible now. As an online platform Take my online class US is helping thousands of students around the world. They offer multiple academic services in the most affordable prices.