Entries should not include summary

2 separate 3 page papers with an additional works cited page including 5 sources in total (at least 2 of the given).

  1. 12 font; Times new roman; double spaced

 

These entries should not include summary of the film you chose to watch, but should examine your film’s relations to the theorist you choose, to our examination of theoretical ideas and insights we outline in general, and/or to the assigned readings. They should also include close attention to the film’s specific formal and stylistic elements; that is, some of the following: mise-en-scene, screenplay, acting, setting, costume, lighting, editing, genre, sound, color and how those interact with, exemplify, or complicate your interpretation of the film and theorist’s(s’) work. These entries should be short and sweet.

The following are film choices for each paper :

 

  1. Theory in Action Paper 1—Eisenstein, Bazin, or Benjamin
    •   Battleship Potemkin (Sergei Eisenstein, 1925)
    •   Rome, Open City (Roberto Rossellini, 1945)
    •   Bonnie and Clyde (Arthur Penn, 1967)
    •   Taxi Driver (Martin Scorsese, 1976)
    •   Songs from the Second Floor (Roy Andersson, 2000)
  2.   Theory in Action Paper 2- Belázs, Baudry, Mulvey or Silverman
    •   Persona (Ingmar Bergman, 1966)
    •   Il Conformista (Bernardo Bertolucci, 1970)
    •   Videodrome (David Cronenberg, 1983)
    •   Black Swan (Darren Aronofsky, 2010)
    •   Ex Machina (Alex Garland, 2014)

Sources for paper are below including  course text book

 

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